2026 臺灣文博會《BIT ZERO》
Creative Expo Taiwan 2026 — BIT ZERO
人類總是在換個新的方式重蹈覆轍，所以我們總能在歷史中找到種種極其相似的投影
我從外也企画為文博會所創造的主視覺中捕捉到早期電腦圖像的數位粗糙感，並透過原始人、鑰匙等意象作為他們眼中 AI 與當代文明關係的象徵物。我抓出了三組動態主題關鍵字：低保真影像、咒語編碼、型隨 prompt，用以延伸動態表現的可能性。
我提出了「機械（AI）降神」的影像企劃，將人與 AI 對話的過程視為一種降靈的啟蒙儀式，進而使眾生獲得編碼構築萬物的權力。這個詞源自古希臘戲劇中，當主角陷入絕境就會突然憑空冒出的強大幫手、奇蹟武器或巧合事件。扮演神的演員會利用起重機從舞台上方降下，不管是字面上或象徵意義上，我覺得都很適合這個世代的 AI，太方便、太強大，卻又似乎有哪裡不對勁的感覺。
The key visual created by OUT OF OFFICE for the Taiwan Cultural Expo evokes the raw, low-fidelity aesthetics of early computer graphics. Primitive humans and keys become symbolic lenses through which to examine the relationship between AI and contemporary civilization. From these visual cues, I developed three motion themes: Lo-fi Imagery, Spellbound Code, and Form Follows Prompt , each opening up new possibilities for movement and expression.
Inspired by "deus ex machina", a theatrical device from ancient Greek drama in which a god descends by crane to resolve an impossible situation, I conceived a visual project that treats human–AI dialogue as an initiation ritual of summoning spirits, granting humanity the power to construct all things through code. This ancient theatrical metaphor feels strikingly relevant to AI today: astonishingly convenient and powerful, yet somehow unsettling, as if something isn’t quite right.
